MIXED MEDIA  

My large-scale paintings explore the tension between past and present, where ancient and modern worlds collide. Using layers of graffiti, posters, paint, and printed matter, the surface is built up and then sanded back to reveal fragments. Words and symbols emerge subtly, much like the Latin inscriptions scattered across the walls of ancient Rome.

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These compositions aim to feel simultaneously contemporary and archaeological, communicating in a visual language that’s partial, weathered, and suggestive. The process embraces destruction and reconstruction, using materials such as contact adhesive to collage layers and create unpredictable textures.

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Rather than working to a fixed outcome, I allow doubt and experimentation to shape the result. It’s in this act of play, after the conscious groundwork is laid, that unexpected forms surface. This ambiguity becomes part of the work’s identity: layered, exploratory, and unresolved.